Saturday, 9 September 2017

Harriet the Spy by Louise Fitzhugh: Review

This is the first in an occasional series in which I revisit the books of my childhood. (Because yay, nostalgia!) I was notorious within my family for always having my nose in a book (nobody thought this was a good thing) but Harriet the Spy was a bit different from the usual because it was American and most of the books I read were British, that being what I mainly had access to. (The other notable American one I remember was Freaky Friday.)

Anyway I loved Harriet the Spy and probably read it four or five times. Naturally it inspired me to copy Harriet's example and follow people around with a notebook. Equally naturally, this didn't go down too well with the adults around me, and my spying career proved short lived.


Harriet's adventures first hit the shelves in 1964, but it was about 12 years after that before I first discovered her in my local library. (I spent a lot of time in that library. I can still visualise it quite clearly in my mind.) I remember a chunky hardback with an orange cover - though I'm not certain it was this one. It could have been.



 The recent Collins Modern Classics edition has a very un-Harriet looking Harriet:








Preparing to write this review, I realised I really didn't know much if anything about writer Louise Fitzhugh, and did a bit of research. I was fascinated to read on Wikipedia that

"It was very popular among young girls, particularly unfeminine or non-conforming girls who lacked representation in fiction; Fitzhugh, like many of Harriet's fans, was a lesbian."

and saddened to learn that Fitzhugh died, of a brain aneurysm, at the age of only 46.

Exploring further turned up several examples of women describing how much the book meant to them and even analysing the lesbian subtext.

Given all of this I was even more excited to read this book again and find out what impression it made on me now, as an adult after all these years. 

The first thing I noticed was how little I actually remembered about the plot, despite all those re-readings. It was the character of Harriet that stuck in my mind rather than anything that actually happened, and I think that is because eleven-year old Harriet M. Welsch is just such a memorable character. Aspiring to be both a writer and a spy, Harriet spends her time observing those around her and writing down her findings - and opinions about them - in a notebook. Her parents are loving but busy; Harriet spends time with her nurse, "Ole Golly" who dispenses many pearls of wisdom, and her friends Janie and Sport. Janie plans to be a scientist and blow up the world (insert topical joke of your choice here). Sport - a boy - plans to be a famous ball player but has to spend a lot of his time cooking and cleaning for his single dad. 

Harriet's life hits crisis when her beloved Ole Golly leaves to get married, and around the same time her notebook, which contains many unflattering observations about people, falls into the hands of her classmates. Understandably affronted about the contents, the whole class - including Janie and Sport - turns against Harriet. Between her unacknowledged grief for Ole Golly and the pain of being ostracised by her peers, suddenly it's not easy being Harriet.

Harriet is a very unconventional and eccentric character - particularly given the time when this was written. She is not most people's idea of a model child. She's wilful, outspoken, uncompromising and has quite a temper. She has mean thoughts about people, and writes them down. Apparently the book has on occasion attracted controversy due to the flawed characters and supposed bad example (brilliantly, one school board complained that it encouraged children to "lie, spy, back-talk and curse").

What about that lesbian subtext though? I'm not sure I would necessarily have thought of it without knowing that the author was a lesbian. I think it's less about sexuality and more about being a bit different, a bit of an outsider, and not necessarily conforming to the prescribed gender roles. Harriet herself, but also her friends Janie and Sport, don't fall neatly into their supposed categories. Janie is far more interested in science than frocks and dancing classes. Sport reads cookbooks and takes on a caring role in his household.

As for Harriet, nothing about her is conventionally feminine, including her preferred choice of clothing. In fact, I think it's fair to say that Harriet rarely thinks about being a girl at all, and it certainly never occurs to her for a single second that her gender should limit her options in any way at all. And she has an innate, unshakeable self belief that carries her through even when life is difficult. All of this makes her hugely important to many young readers.

Ultimately I think this is largely about growing up and realising that, as Ole Golly tells Harriet, "sometimes you have to lie. But to yourself you should always tell the truth" - advice which will resonate with many LGBT readers.

Harriet the Spy is still a great read, and despite being now 53 years old has barely dated in many ways. I wonder what Harriet M. Welsch is like now, at 64? I imagine her as a writer and academic, still as outspoken and eccentric as ever, if not more so. Maybe a bit kinder after all those years of adulthood. Still observing people, though possibly not sneaking into their dumb waiters. I hope she still has that huge sense of self belief. I can't imagine her ever losing it.







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