Monday, 17 August 2020

Book review: Agnes Grey by Anne Brontë

I've never read Anne Brontë's books - she only wrote two, Agnes Grey and The Tenant of Wildfell Hall - but thought it was probably time I did, especially after learning how feminist they are now often considered to be. Agnes Grey is a lot shorter, and was also the first one chronologically, so I decided to start with that. It's clearly strongly autobiographical, drawing heavily on Anne's own experiences working as a governess for various families.

The first chapter is largely scene setting - Anne, I mean Agnes's father is a poor clergyman and due to difficult financial circumstances, Anne, I mean Agnes, decides to apply for a position as governess. She's quite enthusiastic about the prospect, in fact. But no sooner has she arrived at Wellwood Hall than it becomes apparent that governessing, for this family at least, is set to be considerably less fun than she'd anticipated. The children, especially eldest boy Thomas, are uncontrollable monsters; the adults both chilly and demanding, blaming Agnes for their offspring's diabolical behaviour. 

Her next job is less overtly unpleasant, though Agnes has little in common with her charges: selfish, coquettish teenager Rosalie, tomboyish Matilda and some random boys.

The story itself is fairly straightforward and down to earth, its great strength - unique at the time - being its accurate depiction of the governess's lot: "working as a hireling among strangers, despised and trampled upon by old and young".

Agnes observes - and silently condemns - the cruelties and petty snobberies of the families who employ her, contrasting sharply with the kindness she values in others, such as villager Nancy and the curate, Mr Weston. The unpleasant character of certain characters is illustrated through their cruelty to animals - Thomas seeks out birds to torture, with no objections raised by his family; Mr Hatfield kicks Nancy's cat and hits a dog with his cane. It's really all quite distressing.

I liked the way Agnes never "does herself down" - she has a realistic awareness of her own strengths, weaknesses and values, and considers herself the equal of the wealthier people around her, resenting - rightly - that she is not treated as such.

While "Agnes Grey" lacks the Gothic melodrama of Anne's sisters' better-known works, it's both enjoyable and important, sharply observed, and revealing of the social relations of the time and the very limited paths open to an intelligent, educated, yet impoverished young woman.

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